ARMENIAN THEATRE HELLENISTIC
VI century Armenian writer David Curacao (Grammar) wrote: "vohbergutyun called in Greek nohazergutyun (literally - kozlopenie) since brought a goat as a sacrifice to Dionysus, the creator of the grape vine - a well-known story. "
http://armenianhouse.org/goyan/mediaeval-armenian/summary.html
Future Armenian actors - gieroduly Gisane in the temple by the name of this god were called gusanov. In honor of his "long-haired" lords and they themselves wore the same long hair combed up into a cone so that the hair looked like the tail of a comet.
have gusanov, as well as in Greece and mimes fliakov Rome was not only an erotic-farcical repertoire, but also an obligatory attribute of memes - fake phallus. Fall has been an integral part of the costume gusan not only as a traditional attribute of antique apparel memes. This symbol is deeply connected with local phallic cult, whose existence is confirmed by the numerous findings in the Armenian stone images of Fallot and the persistence of phallic rites until the XX century (Rites of the Armenian chapel "St. Minas in the village Noratus on the south shore of Lake Sevan," port-Car "in Zangezur, etc.).
live next to them a thousand years of inichego They do not know
Source: Georg Goian. "2000 years of Armenian theater. Volume Two: Theatre of Medieval Armenia ", State Publishing House" Art ", Moscow 1952
Arakel Davrizhetsi, History Book
Ioannes Drashanakerttsi, History of Armenia
Zachary Kanakertsi, Chronicle
Simeon Lehatsi, Itineraries
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